This gallery consists of slashy images contributed by enterprising H/W fans who were motivated to have some pictorial fun with our beloved couple. All the images are linked to larger versions, usually the pic at the original size that the creators gave to me.
There are nice artworks collected at Cox & Co's companion gallery.
Brancher digitally made this creative splicing of a Sidney Paget illustration from the story "Blue Carbuncle." It looks like Watson has found something more interesting than a battered hat to ponder.
Spicy provided the following caption for this fun picture:
"My dear Watson, I know I promised you I would never again deduce my Valentine's present before I opened it, but..."
I challenged our Holmesslash members to draw Holmes as a cat and Watson as a dog, to suit their personalities. This is Careena's envisioning of that animal pair. The bag that Watson has in his mouth is monogrammed with Watson's initials--J, big curly W, and H.
This color Paget was faked by Angelia from illustrations in the stories "The Abbey Grange" and "The Norwood Builder."
Scandalous! Spicy offers a naughty illustration of a forbidden rendezvous at the Reichenbach Falls in Switzerland. The caption reads "What really happened at Reichenbach", but let me also suggest this quotation from "Final Problem":
An examination by experts leaves little doubt that a personal contest between the two men ended, as it could hardly fail to end in such a situation, in their reeling over, locked in each other's arms.
Having caught the "faking" fever, Spicy tells me she is now busily making faked Pagets and more. This cute one derived from the "Boscombe Valley Mystery" and "The Cardboard Box" features Holmes and Watson having a relaxing day out in the park.
Inspired by the many times that Holmes and Watson travel by train and have a first-class railway car all to themselves, Spicy created this charming moment from illustrations in "Hound of the Baskervilles" and "Silver Blaze." This caption is from my own Eccles, Schmeccles:
I wonder why they always have a first-class carriage together.
Spicy makes an illustration from "The Yellow Face" less distant. In a fun moment alone, Holmes and Watson fool around with a client's pipe.
Using illustrations from "A Case of Identity" and "The Adventure of the Golden Pince-Nez", the Opulent Oyster made this sweet moment at home.
Having skillfully cut Inspector Lestrade out of a picture from the "Norwood Builder", the Oyster arranges to leave Holmes and Watson agreeably alone. (Always best to leave the official force squarely out of it.)
For this sketch, Spicy was inspired by the truly wicked poems of Catullus, that dirty old Roman poet whose book Holmes offered to Watson in "Empty House" (see Allusions also for links to his works). So Watson tries to drop some clear hints to Holmes, who has, in his detached and distracted way, been inattentive to Watson's romantic needs lately.
Max was able to smuggle to me <grin> a few portraits of Holmes and Watson together at Baker Street. This first drawing catches the duo sharing a bed in the way that only a thoroughly domestic, settled couple can do. I've often pictured them this way, so thanks for bringing it to life, Max!
Max puts her talents to work to show Watson at his most tender and caring. He's the perfect doctor-who-watches-over-Holmes-constantly, as he plants a soft kiss upon the unconscious Holmes.
In this sketch, Holmes is definitely wide awake. The playful caption reads: "Sherlock Holmes investigates!"
Well, our furry cat has been at it again! After speculation about what kinds of undergarments Holmes and Watson might (or might not) wear, Spicy drew them in this colourful situation.
"For God's sake, Watson! Just how much flannel can a man fit under his trousers?!"
Holmes described Watson in "His Last Bow" this way: "You are the one fixed point in a changing age." Spicy slightly altered this phrase, and radically gave her own interpretation on the meaning.
"Good old Watson! You are my one fixed point in a changing world...hic!"
(If you have trouble loading the full-size image, try this reduced version.)
Using images from "The Three Students" and "Blue Carbuncle", Spicy renders Holmes fondly bidding farewell to Watson before he heads off for the day to work on a case. (Yes, one of the two other men looking on in the background is Watson.)
Once again working her magic on Paget illustrations, Spicy blends two images from the "Boscombe Valley Mystery" to create a romantic scene.
Reading the latest agony column, perhaps, a blue-inked Holmes drapes himself casually on his sitting-room couch.
Following the youthful, willowy style for drawing people in this Japanese genre, Subaru sketched the pair seemingly on the verge of kissing.
This is an earlier portrait by Veinglory of Holmes lounging on the couch and seemingly getting ready to play on his violin. Unlike a pencil sketch, this computer painted image has an interesting pointillistic feel.
In this pencil sketch, Holmes looks oddly cheerful for some reason and his dressing-gown is rather fancy. Maybe he's vainly admiring himself in that mirror behind him.
An exhausted Holmes lays his head against Watson's shoulder as they ride on the train after a case. Watson has one arm around him, and is writing notes on the case with his free left hand. This illustration is also the inspiration for Veinglory's story Cowards of Us All.
Portraying a scene from the Reigate story, where Holmes lies ill in a hotel in France, Veinglory captures Holmes reaching up one arm to perhaps console his worried doctor.
Using illustrations from Hound of the Baskervilles and the "Norwood Builder", Pythoness has put together a nice closeup of the duo about to kiss. This pic is also included with her story The Secret Diaries of Watson.
Showing off her skills with a graphic tablet and stylus, GOI paints Watson with his arm around Holmes in bed.
Picking up on my old challenge, Roz sketches Holmes as a cat and Watson as a dog.
Now there's a guestbook from which I will copy comments. Sample comments would look like this: